In this particular instance, Usher teamed up with rapper Ludacris. At the time Luda was also a trending musician but has since become equally known as a cast regular in the highly-lucrative “Fast & Furious” movie franchise. Usher dropped many a chart topper during his musical heyday of the early aughts in particular, but “Yeah!” has to stand as the biggest earworm in his discography. Or if nothing else, they at least have the privilege to live that life if they want to. In other words, perhaps we can say as any club track is supposed to be, in this case the excitability of the audio is more important than what’s being put forth.īut it’s also quite obvious, particularly via Luda’s verse, that lyrically this is akin to a sex song. However, if you actually read the lyrics, you’ll see that Usher plays sort of a good guy role, one who has every opportunity to cheat but by the looks of things doesn’t actually go there.īut all things considered, the thesis sentiment would be more along the lines of the vocalists at hand being playas. So as for us listeners, it’s sorta like take from this track what you will. Its main draw is actually the jumpin’ instrumental on top of Lil Jon’s ear-catching contribution. And as for the latter, the only thing Jon has to say is “ yeah, yeah, yeah!” naked. And he goes on to confirm that he “ and Ursh”, aka Usher, as well as presumably their cohort Lil Jon, are of a like mind. Instead, “ the truth” is that if he establishes contact with a woman he wants to get with, he “ won’t stop til (he) get them in their birthday suit”, i.e. However, Ludacris’s approach can’t help but make the listener second guess the intended message here. As for Luda, when he goes to the club he tends to do so by being as flashy as possible, specifically in the name of baggin’ chicks.Īnd he lets it be plainly known that he isn’t into that friend zone, dancing kinda ting. So it’s like one hand Usher is living the life, having sexy girls attempt to seduce him and all. But on the other hand, he also has his boundaries. But that said, he is turned on by the girl’s dancing. So even though, by the looks of things, their relationship does not extend beyond the dance floor, while there he doesn’t mind watching her “ get low”, etc. Moreover, the vocalist infers in the second verse that he “ just ain’t” the type of guy to cheat like that. And this is obviously something he doesn’t want. There it is revealed that this selfsame shorty “ used to be the best of homies” with Raymond’s current girlfriend. Or put more bluntly, if he were to do something sexual with her, there exists a very high probability that word will get back to his official lady. And homegirl is so effective in shaking her thing, if you will, that Usher is now contemplating whether to take her home or not. But prior to the second verse, in the chorus, is where we find the heart of the central dilemma. So they proceed to engage in some dirty dancing, or something like that. The ChallengeĪt the end of the day, the shorty issues a challenge to the vocalist to pursue her, which he does, and for a minute there the lyrics read as if they set off to go somewhere and do the do. But instead, this indeed being an Usher song, they venture out onto the dance floor instead. In doing so, you give them a firm indication of your intentions in the process. This basically means trying to establish contact with a romantic interest you want to get with. a good-looking female, begins “ spittin’ in (his) ear” in a very confident manner. In the old days, that is what would be referred to as kickin’ it to someone. Moreover, the style of the intro is such that the listener would be able to ascertain it’s a dance song, even before Usher goes on to set the narrative, at the beginning of the first verse, as being “ up in the club”.Īnd it’s like Raymond and the homeys are just in the spot chillin’, when a particular “ shorty”, i.e. the turn of the century and via songs/artists like this, that said locality firmly came to be regarded as such. “Yeah” starts off by giving a shoutout to “A-Town”, aka Atlanta, Georgia. Of the three vocalists, only Lil Jon actually grew up in Atlanta. Both Usher and Ludacris moved to the city during their high school years.īut in any event, it is from the A-T-L, the center of Black culture as far as the southern United States is concerned, from which all three launched their careers. /And it was also around this time, i.e.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |